2009-07-10

Movie Review: Transformers: Revenge of the Fallen

Transformers: Revenge of the Fallen is a 2009 American science fiction action film which was released on June 19, 2009 in the United Kingdom and June 24, 2009 in North America. It is the sequel to 2007's Transformers and the second film in the live action Transformers series. Michael Bay and Steven Spielberg return respectively as director and executive producer, while Shia LaBeouf reprises the role of Sam Witwicky, the human caught in the war between Autobots and Decepticons. The film introduces many more robots and the scope has been expanded to numerous countries, most notably France and Egypt.

Resource:http://screencrave.com/2009-06-24/tranformers-2-review/
By Mali Elfman

Michael Bay’s new “summer-fun” (as he likes to call it) blockbuster Transformers: Revenge of the Fallen starring Shia LaBeouf, Megan Fox, Tyrese Gibson, and Josh Duhamel, is not the roller coaster ride it should be. It starts off with a bang, but ends in a muddle. Although it has many surprises that I did not see coming, because of the excessive use of the same type of explosion over and over again, and the ridiculously long run time, this film is not summer-fun, it’s summer-blah.It’s time for the good, the bad and the plot…


Plot:
Like there’s a plot to this film. Bad robots want to destroy the earth and good robots try to save them and people get in the way. POW! BANG! (Insert shot of Megan Fox leaning over a motorcycle at, get this, her dads motorcycle shop…ewww) POW! WOSH! The end.

The Good:
IMAX: It’s made to be seen on IMAX: If you’re going to bother this film, see it on IMAX. The picture is absolutely beautiful and a proper screen really highlights some of better moments in the film.
The Special Effects: With the combination of Michael Bay and ILM, amazing visual effects are expected and they deliver.
The Comedic Moments: As always, hire some good writers, Ehren Kruger, Alex Kurtzman, and Roberto Orci and some capable actors and you’re going to get a few laughs.
Skimpy Outfits: All you boys (and girls) out there, you won’t be disappointed. Megan Fox is smoking hot and so is new-comer Isabel Lucas.
The Acting: Well, let’s be honest, they’re not really acting. But all of the screaming, crying, and running around was believable enough for us to buy their characters.


The Bad:
The Spinning Camera:
WARNING: You may need a vomit bag for this film due to the severe spinning motions of the camera. Bay may love to dramatize a scene with a moving shot, but there were a number moments that I thought I might puke if he didn’t sit the fuck still.
The Romance: Partly do to the spinning camera and partly due to their ridiculous story, if the spinning doesn’t make you vomit, their “romantic” dialogue might.
Length: It’s WAY too long. The final act took so long to get through that by the time you get to the pay off, you stop caring.
Too Many Robots: I know you think “there can never be too many,” but you’re wrong. In the first film we were all excited to see the first Transformer, transform. This time around, we’ve seen them. There’s no shock value and so they try to compensate with more robots and more explosions. The problem is, there are SOOO many that you just start to get bored of them and bored of the film overall.
No Danger: You never feel like any of the characters are in any real danger.
The Ending: Everything completely falls apart in the last act. It feel victim to Spiderman 3 syndrome. They tried to throw everything in at once and ended up with a big, confusing mess.




Overall:
The film lives up to every expectation that I had for a Michael Bay film, which was one mind-numbing explosion after another. Sadly, it wasn’t the fun-ride that it needed to be. The film was too long for its own good and by the time we got around to the final fight scene, you’re too bored to care about any of the characters.Anyway it is a cool film for Transformers fans, and with this great movies on computer, why not convert or burn this classical film to be preserved. Just follow this guide “Burn Tranformers II Christmas Movies to DVD-R on Mac "

Well, Transformers: Revenge of the Fallen is very long as the review, and its DVD maybe need a DVD9. How can we solve it if we want to backup it but no DVD9, only DVD5? Don’t worry, just consult another cool guide, it will teach you How to Copy DVD9 Movies ( Transformers II) to DVD5 on Mac

2009-07-01

December 2008 DVD New Releases

1.Mamma Mia!

Title:Mamma Mia!

DVD Release Date:December 16, 2008

Genre::Musicals,Comedy

Director:Phyllida Lloyd

Actors: Meryl Streep, Colin Firth, Pierce Brosnan, Stellan Skarsgard, Amanda Seyfried

★Pictures From The Movie:



★About The Movie:
Meryl Streep leads an all-star cast in the feature-film adaptation of the beloved musical that has been seen by more than 30 million people in 160 cities and 8 languages around the world. Bringing the timeless lyrics and melodies of iconic super group ABBA to movie audiences, Summer 2008 is the season for Mamma Mia!

2.The Duchess


Title:The Duchess

DVD Release Date: December 27, 2008

Genre:Drama,Love & Romance

Directors: Saul Dibb

Actors: Ralph Fiennes, Simon McBurney, Charlotte Rampling, John Shrapnel, Dominic Cooper


★Pictures From The Movie:



★About The Movie:
A chronicle of the life of 18th century aristocrat Georgiana, Duchess of Devonshire, who was reviled for her extravagant political and personal lives. She is a vibrant beauty and celebrity of her time. But she is trapped in an unhappy triangle with her husband and his live-in mistress. She falls passionately in love with an ambitious young politician, and the affair causes a bitter conflict with her husband and threatens to erupt into a scandal.

3.Eagle Eye



Title:Eagle Eye

DVD Release Date: December 27, 2008

Genre:Mystery & Suspense, Action & Adventure

Directors: D.J. Caruso

Actors: Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Michael Chiklis, Anthony Mackie


★Pictures From The Movie:



★About The Movie:
“Eagle Eye” is a race-against-time thriller starring Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Anthony Mackie and Billy Bob Thornton. Jerry Shaw (LaBeouf) and Rachel Holloman (Monaghan) are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations – using the technology of everyday life to track and control their every move. As the situation escalates, these two ordinary people become the country’s most wanted fugitives, who must work together to discover what is really happening – and more importantly, why.

4.Ghost Town



Title:Ghost Town

DVD Release Date: December 27, 2008

Genre:Romantic Comedies

Director:David Koepp

Actors: Joe Badalucco, Dana Ivey, Téa Leoni, Alan Ruck, Brian Tarantina


★Pictures From The Movie:



★About The Movie:
In the comedy "Ghost Town," Bertram Pincus (Ricky Gervais) is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts. Even worse, they all want something from him, particularly Frank Herlihy (Greg Kinnear), who pesters him into breaking up the impending marriage of his widow Gwen (Téa Leoni).

5.Horton Hears a Who


Title:Horton Hears a Who

DVD Release Date: December 9, 2008

Genre:Animation

Director:Jimmy Hayward, Steve Martino

Actors: Jim Carrey, Steve Carell


★Pictures From The Movie:



★About The Movie:
A new CG animated feature film from 20th Century Fox Animation, the makers of the “Ice Age” films, based on the beloved book, first published in 1954, by Ted Geisel, who wrote under the pen name Dr. Seuss. Seuss books are among the defining works of family literature, have sold over 200 million copies, and have been translated into fifteen languages. The “Horton” series (“Horton Hears a Who,” “Horton Hatches the Egg”) are consistently among the top-selling of all Seuss titles — generation after generation. HORTON HEARS A WHO is about an imaginative elephant who hears a cry for help coming from a tiny speck of dust floating through the air. Suspecting there may be life on that speck and despite a surrounding community which thinks he has lost his mind, Horton is determined to help.

Review:Of Time and The City

By Paul Brenner from Filmcritic.com

"We love the place we hate/We hate the place we love/We leave the place we hate/Then spend a lifetime trying to regain it."

Director Terence Davies recites these words as his camera moves across a church edifice like an incantation in his moving and emotional paean to the lost Liverpool of his youth, the impassioned documentary Of Time and the City.

Davies' films (Distant Voices, Still Lives; The Long Day Closes) have always looked to the past as both memory and memory's sometimes distorted recollections. Much like last year's MyWinnipeg of Guy Maddin, Davies looks at both the past of a city and his own past there, twisting both into a funhouse mirror. Maddin, of course, barely gets out of his childhood alive, but for Davies, his Liverpool is a state of lost innocence killed when modernity and puberty set in. He quotes Shelley in the opening shot, an image of a slowly opening curtain in a movie house, "The happy highways where I went and cannot come again." Davies is already placing Liverpool as a mythic town of his childhood and boldly states, "If Liverpool did not exist, it would have to be invented."

Davies covers his formative years 1945 to 1969, liberally quoting not only Shelley, but also a collection of quotables from Joyce to Chekhov to Jung as he interweaves archival clips and newsreel footage of Liverpool and post-WWII England around it. Davies' narrative voice is mildly sarcastic and heavily melancholy as he recalls his golden youth, peppering the film with Mahler, Sibelius, and Bruckner, along with The Hollies, The Spinners, and Peggy Lee.

The film is divided into two sections, the first section outlining the wonderful childhood days in his city and the second section showing the inevitable destruction of his youthful wonders. Linking the sections are film clips of children in strollers pushed around the Liverpool sidewalks as the backgrounds change from one era to the next.

Davies introduces his childhood recollections by saying, "Here was my whole world -- home school and the movies." Of Time and the City offering a wonderful collection of footage from the 1950s as Davies recalls his trips to the cinema with an evocative series of theater marquees and television footage of movie premieres ("At seven, I saw Gene Kelly in Singin' in the Rain and loved the movies and swallowed them whole."), Liverpudlians on the beaches and partaking of the amusement piers, clips of British football games (Davies remembering his mother in the kitchen listening to the games on the radio and shouting out the scores), his love of wrestling with clips of games from Liverpool Stadium and his burgeoning homosexuality (his interest in wrestling making him aware of "dark desires which thrilled and compelled"), and the oppressive church, which tipped him to a lifestyle decision ("Caught between canon and carnal law, I said goodbye to my girlhood").

Of Time and the City is a longing tone poem of Liverpool, not bracing like the original, impressionistic city documentaries like Berlin: Symphony of a City or A propos de Nice, but infused with a smoldering undercurrent of time lost and a churning, haunted passion for that lost time. It's a time not only for Davies, but for us all: "Come close now and see your dream. Come close now and see mine."

I think I see a Beatle.

Valentines Movie
From indobase.com

Well when the time is to tie the knots of lovebirds, then I guess the most romantic idea is a special candle light dinner, light music, dim lights but don't you think still something seems to be missing. There has to be lots more fun, thrill and romance on this day, what say? In my opinion, a perfect valentine day is incomplete without watching a valentines movie that has the capability to boost up the mood for romance.

The reservoir of Valentine's Day romantic movies is a comprehensive one and consists of multiple options to choose from. To name a few top romantic valentine day movies we have Titanic, Sleepless In Seattle, Romeo And Juliet, City Of Angels, Love Story, Sixteen Candles, Pretty Woman and Endless Love etc. But if you want to have some cheerful moments of laughter and joy then there are some real funny romantic comedy films like 20 Dates, About Last Night, Breakfast at Tiffany's, An American in Paris & Butterflies Are Free.

If your loved one is an adventurous kind of person, then the perfect kind of film would be an action oriented type like Back draft, Crimson Tide, Mask Of Zorro, Point Break & Batman Forever. If you like mystery stuff then you can go in for one or more of these thriller valentine movies: Dead Again, Spellbound, Jaws, The Hand that Rocks the Cradle & Psycho. If you are fond of drama, then you can check out one of the following films: Bed Of Roses, Great Expectations, About Last Night, Just the Way You Are, Happy Together & When Harry Met Sally.

If you are a happily married couple and wish to watch a movie that your kids can also enjoy then you can buy a video CD of Beauty and the Beast or Heaven Can Wait. Other good options are Night Tide, Like Water for Chocolate & Celestial Clockwork. By now you must have decided which movie would you be watching with your sweetheart and guys do not forget wine because it acts as a stimulator in creating the atmosphere for lovebirds to go crazy. So, this valentine day, try out these ideas and see the effects. Trust me it will spice up your love life.

Top 10 Best DVDs of 2008-Amazon.com (part2)


No.6 Dexter - The Complete Second Season (2006)

Genre:Television > Crime

Cast:Michael C. Hall,Julie Benz,Jennifer Carpenter,Lauren Vélez,David Zayas,James Remar,Preston Bailey

Dexter During the day, Dexter Morgan is a jovial employee in the Miami Metropolitan Police Department's crime lab, but his meticulously crafted life masks his true nature. In reality Dexter is a disciplined and murderous psychopath (a self-admitted "monster"), and he slakes his blood lust at night by carefully killing the serial killers he tracks down during the day. Based on the novels (Darkly Dreaming Dexter, Dearly Devoted Dexter and Dexter in the Dark) by Jeff Lindsay.

Pictures from the movie:


Editorial Reviews of Amazon.com:
Dark and sinister is the new sexy, thanks to Dexter, which in its second season has proven to be the most successful series Showtime has offered up yet. Remember how much you squirmed in your seat during the season one finale? Believe it or not, the premiere of season two felt like it could have been a season finale--because jaws were on the floor when the credits rolled. For being a supposed sociopath, Dex is pretty broken up about the gruesome events that concluded last season. The one and only person who could possibly understand him is six feet under, and it seems our unlikely hero is losing his homicidal grip. He’s even having a little trouble slicing up a few of his latest victims (from a murderous gang member to a chainsaw-wielding fiend from his past). Enter Lila (Jaime Murray, Hustle), a lady with a sweet British accent and a few dark secrets of her own. She seems to accept Dex for who he really is, and he finds himself feeling relaxed for the first time in his life. In contrast, his relationship with his girlfriend Rita (Julie Benz) has been stretched almost to a breaking point. The problem is, he should be anything but relaxed. Someone picked a poor place to go scuba diving off the Florida coast, and came across an underwater graveyard: Dex’s primo spot for dropping dismembered bodies wrapped in heavy-duty trash bags. Word about the "Bay Harbor Butcher" gets out quick, and the F.B.I. sends the best of the best, Special Agent Frank Lundy (Keith Carradine, Deadwood) to work alongside the police to sniff out Miami’s latest serial killer. This guy is no schlub, and Dex may have met his match. And, yes, Dexter gets to work with Lundy on a daily basis, which provides some wonderfully awkward moments. It certainly doesn’t help that the intuitively paranoid Sergeant Doakes (Erik King, Oz) is hot on Dex’s trail.
Season two of Dexter is all about decisions. Lila or Rita? Old code or new code? Run or fight? Right or wrong? Well, one thing’s for sure: When it comes to writing, casting, acting, and production, the makers of this show made all the right decisions. Michael C. Hall is simply superb as the title character. You’ll never find yourself more willing to genuinely root for a serial killer. It’s bloody liberating.--Jordan Thompson



No.7 The Office: Season Four (2008)

Genre:Television > Comedy

Cast:Steve Carell, Jenna Fischer, Rainn Wilson, John Krasinski, B.J. Novak


The Office Steve Carell (Get Smart) returns in his Golden Globe®-winning role of “The World’s Greatest Boss,” Michael Scott, in Season Four of the hit comedy series The Office! This must-own four-disc set includes every irreverent episode from Season Four, including the five extended full TV-hour specials, plus hours of hilarious deleted scenes and bonus features! Rejoin Jim (John Krasinski) and Pam (Jenna Fischer) as they bring romance to the workplace, Dwight (Rainn Wilson) as he continues his quest to be Michael’s right-hand man, and newly deemed “Wunderkind” Ryan (B.J. Novak), who’s working to drag Dunder Mifflin into the digital age. Developed for American TV by Primetime Emmy® Award winner Greg Daniels (King of the Hill, The Simpsons), The Office is the intelligent and edgy Primetime Emmy® Award-winning series that critics are hailing as “the funniest show on TV” (Gavin Edwards, Rolling Stone). You’ll enjoy the inappropriate remarks, uncomfortable silences and petty behavior again and again!


Pictures from the movie:


Editorial Reviews of Amazon.com:
Is a season of The Office with less episodes still a great season? That seems to be the debate among the Emmy-winning sitcom's faithful audience in regard to season four, which like every program in 2007 and 2008 suffered due to the Writers Guild strike. But even a truncated season can't dispel the fact that The Office remains one of television's funniest and most consistently inventive programs. If a theme can be grafted upon season four, it's Things Fall Apart: former temp Ryan (writer-producer B.J. Novak) is promoted to executive position and then squanders that power, while Dwight (series MPV Rainn Wilson) attempts to recover from his breakup with Angela (Angela Kinsey) and her apparent relationship with the hapless Andy (Ed Helms). Elsewhere, HR's Toby (writer-director Paul Lieberstein) finally flees Dunder Mifflin for that long-threatened vacation to Costa Rica (and is replaced by Oscar nominee Amy Ryan), and Stanley (Leslie David Baker) reaches his own breaking point in "Did I Stutter?" The center of office entropy is, of course, boss Michael Scott (Steve Carell), who is knocked off his pedestal throughout the season; his sweetly naïve television spot is disparaged in "Local Ad," he's passed over for the executive outing in "Survivor Man," and in the season's highlights, he is forced to twice endure humiliation at the hands of his own girlfriend Jan (Melora Hardin), first in the heartbreaking "Deposition," and then immediately after in the Emmy-nominated "Dinner Party," which puts their disintegrating relationship in sharp focus. Even office lovebirds Jim (John Krasinski) and Pam (Jenna Fischer) experience some rocky moments as Jim anguishes over the right time to propose to her. But don't let that laundry list of disasters fool you into thinking that season four is a downer; if anything, many of the episodes are among the funniest the show has produced to date. Most notable among these are the opener "Fun Run" (the Scranton team participates in Michael's charity race for rabies prevention), "Job Fair" (Michael attempts to hawk Dunder Mifflin to high schoolers, while Jim struggles to land a client), and the aforementioned "Dinner Party" and "Goodbye, Toby." Longtime viewers may wince at some of the broader gags in the season, like Michael and Dwight driving into the lake in "Dunder Mifflin Infinity," but the best episodes are so strong--and Carell and his fellow players so dead-on in their performances--that it's hard to make a case against the season for those relatively few low points. Extras in the season-four set are fewer than in previous releases, though that may have to do with the reduced number of episodes. Deleted scenes are offered for every episode, and many are real gems, most notably those in "Dinner Party" and "Goodbye Toby." A smattering of commentaries is also included; Carell and Krasinski are noticeably absent, but Wilson, Fischer and the writing and directing staff more than make up for their absence. And the featurette "Writer's Block," which includes footage of the writers' panel at an Office convention, gives an amusing alternate to the usual behind-the-scenes coverage. Michael's complete ad for Dunder Mifflin, a battery of amusing faux PSAs for rabies, and a gag reel do much to fill out the supplemental features.--Paul Gaita



No.8 Sex and the City - The Movie (Special Edition) (2008)

Genre:Television > Comedy

Director:Michael Patrick King

Cast: Candice Bergen, Kim Cattrall, David Eigenberg, Willie Garson, Evan Handler

Sex and the City After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a heated encounter with Steve, she happens to spot Mr. Big and tells him he's crazy to get married. She's really only thinking of her own marriage. But her angry remark gets Mr. Big to thinking.


Pictures from the movie:


Editorial Reviews of Amazon.com:
As light and frothy as the Vivienne Westwood wedding gown that's an unofficial fifth star, the film version of Sex and the City is both captivatingly stylish and sweetly sentimental. Viewers who loved hanging with Carrie Bradshaw and her three pals during the series' TV run will feel as though no time has passed. Except that it has: Carrie and Big are poised to make a Big Commitment; Miranda and Steve are facing the breakup of their wonderful family; Charlotte and Harry have added to their brood; and Samantha (are we sitting down?) has been devoted to hunky Smith for five full years. Still, in all that time, the women's style, conviviality, and appetite for bons mots have only grown. When practical attorney Miranda learns that Carrie is considering moving in with Big (in possibly the coolest apartment in Manhattan), she can't help but frown in that but-you-might-lose-everything way. Carrie's retort: "For once, can't you feel what I want you to feel--jealous?!" The cast is spot-on, as always. Sarah Jessica Parker is effortless as the angst-ridden yet practical, stylish yet vulnerable Carrie. Kim Cattrall is deliciously decadent as Samantha, but she's wiser now and knows herself and her needs for a real relationship. Kristin Davis, as Charlotte, has quietly become the most gorgeous among the beauties, her sleek presence both winsome and sophisticated. And Cynthia Nixon (Miranda) shows nuance as a woman torn between betrayal and grudging hope. Supporting roles include Candice Bergen as the Vogue editor who anoints Carrie "The Last Single Girl in New York," and Jennifer Hudson, as a starry-eyed, ambitious romantic who represents the new generation of SATC women. Through it all, New York is a benevolent cocoon that envelopes and nurtures the women and their friendships and careers. No matter that none of them appears to have any semblance of "real" family; as long as they have each other, and Manhattan, all will be right with their world. --A.T. Hurley



No.9 30 Rock: Season 2

Genre: Comedy

Director:Tina Fey

Cast: Tina Fey, Tracy Morgan,Jane Krakowski,Jack McBrayer,Scott Adsit,Judah Friedlander,Alec Baldwin,Katrina Bowden,Maulik Pancholy


30 Rock: Season 2 Liz Lemon, head writer of the sketch comedy show "TGS with Tracy Jordan", must deal with an arrogant new boss and a crazy new star, all while trying to run a successful TV show without losing her mind.


Pictures from the movie:


Editorial Reviews of Amazon.com:
"I really feel like this is going to be my year," an uncharacteristically optimistic Liz Lemmon proclaims in 30 Rock's season two opener. Reality quickly intrudes on the hapless Liz, but for Tina Fey and 30 Rock, the year couldn't be better. Nominated for 17 Emmys, the series repeated for Outstanding Comedy Series and earned Outstanding Actress and Actor honors for Fey and co-star Alec Baldwin as GM CEO-in-waiting Jack Donaghy. TV icon Tim Conway was also honored as Outstanding Guest Actor as Bucky Bright in "Subway Hero"--just one of the strike-shortened season's benchmark episodes--as a faded TV star from the 1940s and '50s who shatters the illusions of television-loving NBC page Kenneth (Jack McBrayer) with appalling (and unprintable) stories about "the good old days." If you're going to make a television show, Bucky tells him, "things are going to get weird." And from one of Kenneth's lame parties that turns dark and twisted to the "Page Off" between Kenneth and his nemesis (Human Giant's Paul Scheer) things get really weird behind the scenes of TGS, the SNL-ish sketch show where Liz oversees a motley crew of writers and her tempermental, demanding stars, insecure diva Jenna Maroney (Jane Krakowski) and all kinds of crazy Tracy Jordan (Tracy Morgan). 30 Rock is rarefied television, each episode brimming with quotable dialogue ("Never go with a hippie to a second location"), brilliantly absurd bits (Tracy Jordan's novelty hit, "Werewolf Bar Mitzvah," the TV series "MILF Island," Liz's Cathy moment), and edge of the frame silliness that rewards close attention ("Anne Heche Leaves Husband for Pony," reads a network news scroll in the episode, "Somebody to Love"). Stellar guest stars rise to the occasion. Edie Falco was an Emmy nominee for her recurring role as "C.C.", the liberal Democratic Congresswoman who becomes conservative Republican Jack's "hippie dippy mama," as was Carrie Fisher as former Laugh-In writer Rosemary in the instant classic episode, "Rosemary's Baby." It's this episode which features Tracy's therapy session during which Jack channels Fred Sanford and J.J. from Good Times. Making welcome returns this season are Will Arnett as Jack's corporate rival, Devon Banks, Chris Parnell as unethical Dr. Spaceman, Elaine Stritch as Jack's castrating mother, and Dean Winters as Dennis Duffy, Liz's sleazy former boyfriend and New York's unlikeliest hero. But the real muffin top on this two disc set are the awesome bonus features, including a revelatory table read of the season finale, "Cooter," the benefit live performance of the episode "Secrets and Lies" (complete with an improvised commercial), a 30 Rock panel discussion with cast and creators moderated by Brian Williams, and a backstage look at Fey's Saturday Night Live homecoming last season. Most sitcoms are as bad for you as the offbrand Mexican Cheetos that Liz gorges herself on, and as Jenna tells Liz at one point, employing "a weak metaphor," you deserve a good meal. 30 Rock is a feast. --Donald Liebenson



No.10 3:10 to Yuma (Widescreen Edition) (2007)

Genre: Action,Crime,Drama

Director:Tina Fey

Cast: Russell Crowe,Christian Bale,Logan Lerman,Dallas Roberts,Ben Foster,Peter Fonda,Vinessa Shaw,Alan Tudyk,Gretchen Mol

3:10 to Yuma
Rancher Dan Evans heads into Bisbee to clear up issues concerning the sale of his land when he witnesses the closing events of a stagecoach robbery led by famed outlaw Ben Wade. Shortly thereafter, Wade is captured by the law in Bisbee and Evans finds himself one of the escorts who will take Wade to the 3:10 to Yuma train in Contention for the reward of $200. Evans's effort to take Wade to the station is in part an effort to save his land but also part of an inner battle to determine whether he can be more than just a naive rancher in the eyes of his impetuous and gunslinging son William Evans. The transport to Contention is hazardous and filled with ambushes by Indians, pursuits by Wade's vengeful gang and Wade's own conniving and surreptitious demeanor that makes the ride all the more intense.

Pictures from the movie:


Editorial Reviews of Amazon.com:
Here's hoping James Mangold's big, raucous, and ultrabloody remake of 3:10 to Yuma leads some moviegoers to check out Delmer Daves's beautifully lean, half-century-old original. That classic Western spun a tale of captured outlaw Ben Wade (Glenn Ford)--deadly but disarmingly affable--and the small-time rancher and family man, Dan Evans (Van Heflin), desperate enough to accept the job of helping escort the badman to Yuma prison. Wade, knowing that his gang will be along at any moment to spring him, works at persuading the ultimately lone deputy to accept a bribe, turn his back on "duty," and go home safe and rich to his family. That the outlaw has come to admire his captor intriguingly complicates the suspense. All of the above applies in the new 3:10, but it takes a lot more huffing and puffing to get Wade (Russell Crowe this time) and Evans (Christian Bale) into position for the showdown. Mostly, more is less. To Mangold's credit, his movie doesn't traffic in facile irony or postmodern detachment; it aims to be a straight-up Western and deliver the excitement and charisma the genre's fans are starved for. But recognizing that contemporary viewers might be out of touch with the bedrock simplicity and strength of the genre--not to mention its code of honor--Mangold has supplied both Evans and Wade with a plethora of backstory and "motivations." At the overblown action climax, the crossfire of personal agendas is almost as frenetic as the copious gunplay. (By that point the movie has killed more people than the Lincoln County War.) Best thing about the remake is Russell Crowe's Ben Wade, a Scripture-quoting career villain with an artist's eye and a curiously principled sense of whom and when to murder. As his second-in-command, Ben Foster fairly pirouettes at every opportunity to commit mayhem, and Peter Fonda contributes a fierce portrait of an old Wade adversary turned bounty hunter for the Pinkerton detective agency. --Richard T. Jameson
 

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